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・ Andrés Córdova
・ Andrés D'Alessandro
・ Andrés de Claramonte
・ Andrés de Isasi, 1st Marquis of Barambio
・ Andrés de la Calleja
・ Andrés de la Concha
・ Andrés de la Rosa Anaya
・ Andrés de la Tovilla
・ Andrés de Olmos
・ Andrés de Orbe y Larreategui
・ Andrés de Oviedo
・ Andrés de Pez
・ Andrés de San Martín
・ Andrés de Santa Cruz
・ Andrés de Santa Maria
Andrés de Santa María
・ Andrés de Segurola
・ Andrés de Tapia Motelchiuh
・ Andrés de Urdaneta
・ Andrés de Vandelvira
・ Andrés de Vargas
・ Andrés del Campo Santos
・ Andrés del Corral
・ Andrés del Valle
・ Andrés Domingo y Morales del Castillo
・ Andrés Dorantes de Carranza
・ Andrés Duany
・ Andrés Duarte
・ Andrés Duque
・ Andrés Durán


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Andrés de Santa María : ウィキペディア英語版
Andrés de Santa María

Andrés de Santa María, (December 16, 1860 - April 29, 1945) was a Colombian painter from Bogotá. His work was mostly impressionist in nature.
== Biography ==
Santa Maria was born in Bogota on December 16, 1860. In his childhood he spent two years in England.
In 1882 entered the School of Fine Arts in Paris, where he studied under Fernando Humberto and Enrique Gervex, and worked alongside Ignacio Zuluaga, Santiago Rusiñol and the Prince Eugene of Sweden. In 1889 he painted the picture of Matías de Francisco for the Bank of Bogota, and in this year also painted Lavadoras del Sena. From 1893 he made many trips back and forth to Europe where he made a notable exhibition in Bogota in 1897 before returning to Europe.
In 1904 however, he was invited by the president of the republic, general Rafael Reyes, to perform an exhibition with the writers Sanín Cano, Hinestroza Daza and Max Grillo. Until 1911 he was director of the School of Fine Arts in Bogota. In 1906 he painted the triptych of the National Capital, in this represented Simon Bolivar directing the liberation campaign. On finishing his work as director of the School of Beautiful Arts, he returned again to Europe and settled in Brussels.
In 1936, he received much acclaim from his exhibition at the Palace of Fine Arts in Brussels . In 1937 he made a retrospective exhibition in the Burlington Gallery in London, displaying 125 paintings made over a 30-year period from 1907.

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